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This ontology, called VIR, is an extension of CIDOC-CRM created to sustain propositions on the nature of visual elements and permit these descriptions to be published on the Web. With the term visual element, we refer to those signs identified in the visual space as distinct and documentable units, and subject to an analytical interpretation. The scope of this ontology is to s to provide a framework to support the identification, annotation and interconnections between diverse visual elements and presents and assist their documentation and retrieval. Specifically, the model aims to clarify the identity and the relation of these visual signs, providing the necessary classes to characterise their constituent elements, reference, symbolic content and source of interpretation. VIR expands on key entities and properties from CIDOC-CRM, introducing new classes and relationships responding to the visual and art historical community, specifically building up on the iconographical tradition. The result is a model which differentiates between interpretation and element identified, providing a clear distinction between denotation and signification of an element. As a consequence of such distinction, the ontology allows for the definition of diverse denotative criteria for the same representation, which could change based on traditions and perspective. Visual objects can be, in fact, polysemic and ambiguous, and it is not so easy to pin down a denotative or connotative meaning because they are very much context-dependent. @en
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The system ontology of Wikibase @en
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The Places Ontology is a simple lightweight ontology for describing places of geographic interest. @en
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This ontology aims at providing a simple vocabulary for describing programmes. It covers brands, series (seasons), episodes, broadcast events, broadcast services, etc. @en
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This ontology provides the terminologies used for positioning systems. @en
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The Media Value Chain Ontology (MVCO) is an ontology for formalizing the representation of the Media Value Chain. It couples naturally with the MPEG-21 multimedia framework, and its standardization as Part 19 of this ISO/IEC standard is underway (at the editing time of this document). @en
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This vocabulary is used to describe the physical location of public places. @en
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Creative Workshop Management Ontology (CWMO) - an ontology designed to describe the creative workshop domain, to permit reasoning on creative method and to describe resources gathered inside Creative Support System. The primary goal of the ontology is to cover all knowledge about creative workshop and creative method necessary for Creative support system. The second goal is to provide interoperability between distributed Creative Support System. @en
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Vocabulary for describing common webpages provided by an organisation @en
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In order to enable and encourage the sharing, distribution, syndication, and aggregation of media content, the authors propose the Media RDF vocabulary, an open standard for distributed media metadata. @en
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Ontology for representation of cartesian co-ordinates @en
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A lightweight ontology for representing semantic trajectories and contextual elements in terms of features of interests and episodes. @en
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This RDF ontology allows describing any Territorial Statistical Nomenclature (TSN) (i.e., partition of the territory) used as a support to socio-economic data (statistical data that describe territory in terms of population, unemployement rate, transport access, etc.). @en
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The TSN-Change ontology aims at describing changes that occured from one version of a Territorial Statistical Nomenclature (TSN) (i.e., partition of the territory) and its subsequent (e.g., change in territorial units boundaries to reflect an administrative reorganisation). @en
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Ontology describing geographic entities as seen by the French Statistical Institute @en